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Swamp Thing Premiere Date Set for May on DC Universe, Stargirl Gets First Look Photo



By Laura Prudom and Joshua Yehl

DC Universe revealed the premiere date for James Wan’s upcoming adaptation of Swamp Thing at WonderCon – along with a first look at the series that was shown exclusively to the room and (for now) won’t be released wide. The teaser trailer features a lot of quick, creepy shots that establish the horrific, southern gothic vibe of the series, with rotting corpses being reanimated through creeping vines, and plenty of jump scares. The final shot of the teaser features Abby Arcane (Crystal Reed) wading through the swamp, before she turns to see something lumpy, slimy, and definitely not human beginning to rise from the water – but the camera cuts away before we can see Swamp Thing in all its glory.

Swamp Thing will premiere on the DC Universe streaming service on May 31. Per DC, “The series follows Abby Arcane as she investigates what seems to be a deadly swamp-born virus in a small town in Louisiana, only to soon discover that the swamp holds mystical and terrifying secrets. Horror underpinnings are expected of the series from executive producers James Wan, Mark Verheiden, Gary Dauberman, Michael Clear and Len Wiseman.” If you’re not familiar with Swamp Thing, here’s everything you need to know about the supernatural character.

Executive producer Mark Verheiden gave us a hint about the tone of the show during the WonderCon panel: “The overall vibe is we want to scare the living hell out of you. This is Swamp Thing as scary, this is Swamp Thing in a grim southern town,” he teased. “We’re going to bring you some very frightening things. But on top of that, we’re telling a beauty and the beast-ish love story between Abby Arcane and Swamp Thing.”

DC Universe

We may not have seen Swamp Thing in action at WonderCon, but IGN was on hand at a DC Universe event earlier this week, where we learned plenty about the new series…

At the event, producers Len Wiseman and Rob Hackett showed a clip from the upcoming show and talked about what movies and Swamp Thing comics influenced the show and how the creature will be portrayed.

The Scene Ignites a Swampy Mystery

The scene DC Universe members saw at the fan event sees Abby Arcane (Crystal Reed) and Matt Cable (Henderson Wade) investigating a creepy home in the swamp. They’re looking for someone but he doesn’t seem to be home. They see some green nastiness on the wall and follow it to a room where they hear a strange noise. When they pass by a particularly gross smear of swampiness, it seems to come alive as vines grow and snake over the wall, although they’re too focused on the noise to notice. They quickly move into the room where they find Alec Holland (Andy Bean) wearing plastic gloves and sawing off a piece of floorboard. He tells them he’s there collecting a sample, but they should take notice of what’s in the bathroom.

That’s where the trail of green grossness ends and we find our person of interest covered in swamp vines, drained of color so his skin looks damp and gray, and very much dead. The cause of death appears to be a mess of swamp stuff that grew and erupted out of this mouth. We know the show centers around the investigation of a swamp virus, and though we weren’t given context for this scene, we imagine this just might the inciting incident where the characters first meet each other and discover this mysterious and deadly threat.

A Tale of Two Swamp Things

While we didn’t get a look at Swamp Thing himself, they did reveal a bit about how they’re bringing the creature to life.

There are actually two men playing the role. Actor Andy Bean plays Alec Holland in human form, and creature performer Derek Bears plays the fully transformed Swamp Thing. They explained their decision to split the role, saying they didn’t want an actor who’s not a creature performer to be in makeup, prosthetics, and a body suit for 13 hours because it would stifle their performance. Having a creature performer like Bears (who has played horror icons like Jason Voorhees and the Predator) take on the physical aspect of Swamp Thing allows him to bring the creature to life like only a trained professional can. Not to mention, Swamp Thing is a towering, seven-foot tall creature, so the 6’5 Mears is a better physical match to the monster.

The producers said the show is a horror-driven drama that is very much grounded in the real world. That way, when supernatural things do happen, they’re that much more shocking.

They said the show would have a lot of Cronenbergian body horror, so naturally The Fly was a big inspiration for the show. They explained how the show uses mostly practical effects, like The Blob. In fact, they said the show is 90% practical effects and only 10% computer generated effect, largely because they think things are creepier and scarier if they’re real. And at the end of the day they want this show to be cool, scary, and packed with lots of gross stuff.

The Swamp

In addition to the clip, they also showed a timelapse video of the swamp set being built. Constructed inside a massive soundstage, the swamp set was roughly the size of a football field. They built what looked like a small shack, dressed the area with swamp vegetation and trees, and filled it up with water. They said they wanted to be sure the swamp water was sufficiently grimy, so they tried out numerous ways to get that effect, like jello mix to add consistency, but eventually settled on tiny beads that look especially nasty when amassed together in the water. In addition to the set, they filmed some scenes on location in a real swamp, so they show will have a blend of the two.

Going Back to Swamp Thing’s Comic Book Roots

The producers cited Alan Moore’s Swamp Thing run as the main inspiration for the show, which showcased Alec Holland/Swamp Thing coming to grips with who (and what) he is, explored the duality of the character, and ruminated on what it means to be human. They said the iconic Swamp Thing #21 titled “The Anatomy Lesson” was essentially the show bible. If you’re not familiar with the contents of that issue, we don’t want to spoil it for you in case the same twist is used in the show, but suffice to say it became a defining moment for the character that flipped Swamp Thing’s world upside down in a profound way by making both Swamp Thing and the reader question the nature of his existence.

If you’re a fan of the original version of Swamp Thing created by Len Wein and Bernie Wrightson, then worry not. They said that Swamp Thing’s initial transformation is pulled directly from Wrightson’s iconic first rendering of the character.

When Will We See Swamp Thing in the Show?

While the producers wouldn’t say precisely, they did assure us that there won’t be a season-long transformation into Swamp Thing, and that we’ll probably, maybe, perhaps see him in the first episode of the show.

The WonderCon panel also revealed the rollout for other upcoming DC Universe shows – the second half of Young Justice: Outsiders will debut on July 2, 2019, Season 2 of Titans will return in Fall 2019, the animated Harley Quinn series (starring Kaley Cuoco) will premiere in late Fall, and Stargirl in early 2020.

Check out a first look at Brec Bassinger in costume as Stargirl below.

Syfy’s Krypton Season 1 will be launching on DC Universe on April 5, and original animated film Justice League vs. The Fatal Five will premiere April 16.

The panel also revealed a major update to DC Universe’s comic library with access to DC’s entire digital comics haul from the company’s 80-year history coming in April, with members getting access to every single issue published 12 months prior to any given date, similar to the Marvel Unlimited subscription service.

“It is the ultimate digital library of content, 20,000 books,” DC publisher Jim Lee said. “We’re continually adding to it as we continue to publish comics.”

DC Universe Rebirth\r\n
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\r\nYou might have heard of something called DC Rebirth, which is the name of an ambitious 2016 relaunch where most ongoing DC titles were relaunched with fresh jumping-on points. However, Rebirth was about more than just new #1 issues. It was also geared towards bringing back some of the characters and elements that had been lost with 2011\u0027s New 52 reboot. In other words, the goal with Rebirth was to appeal to lapsed DC fans as much as newcomers.\r\n
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\r\nThat process began in this one-shot issue from writer Geoff Johns and artists Phil Jimenez, Ethan Van Sciver and Gary Frank. They paint a very emotionally charged picture of a long-lost DC hero trying to make their way back home. Along the way, this issue drops some of the most shocking plot twists in recent memory. If you want a good primer for the DCU as it exists currently, this is the ideal starting point.\r\n
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\r\nThis issue set the stage for all sorts of new series in 2016, including new ongoing books for Batman, Superman and Wonder Woman. Unfortunately, while DC Universe has the first issues of most of those books, there isn\u0027t much beyond that yet.\r\n
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\r\nWhat to read: DC Universe Rebirth #1″,”height”:1080,”width”:1920,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/01-1537540122140.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/01-1537540122140_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:”02″,”albumTotalCount”:14},{“caption”:”

Year One Books\r\n
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\r\nDC\u0027s various Year One-branded comics tend to be excellent gateways for the characters in question. As the name suggests, each book chronicles a hero\u0027s first year on the job and generally their origin story as well.\r\n
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\r\nFrank Miller and David Mazzucchelli\u0027s Batman: Year One was the first of these books and remains the gold standard. It explores Bruce Wayne\u0027s return to Gotham, his first clashes with Catwoman and the mob and his painful journey from lone vigilante to costumed superhero.\r\n
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\r\nThere\u0027s also Robin: Year One and Batgirl: Year One from writer Chuck Dixon and artists Javier Pulido (Robin) and Marcos Martin (Batgirl). In terms of subject matter, these two books are similar to Batman: Year One, though stylistically they\u0027re more lighthearted and adventurous. In particular, Batgirl: Year One is widely regarded as one of the best Batgirl stories ever published.\r\n
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\r\nFinally, there\u0027s Green Arrow: Year One from Andy Diggle and Jock. Not only does this book provide the definitive account of Oliver Queen\u0027s journey from lazy playboy to hardened survivor, it served as one of the primary source of inspiration for the TV series Arrow.\r\n
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\r\nWhat to read: Batman (1940) #404-407, Robin: Year One #1-4, Batgirl: Year One #1-9, Green Arrow: Year One #1-6″,”height”:674,”width”:1199,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/02-1537540122147.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/02-1537540122147_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:”03″,”albumTotalCount”:14},{“caption”:”

Superman: Brainiac\r\n
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\r\nFew writers have done as much to shape the course of DC Comics as Geoff Johns. Johns may not have had nearly as lengthy a stint on Action Comics as he did books like Green Lantern or The Flash, but he and artist Gary Frank did manage to craft one of the best modern Superman stories before they left.\r\n
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\r\nJohns and Frank\u0027s final Action Comics story is called \u0022Brainiac,\u0022 pitting the Man of Steel against his super-intelligent nemesis. The twist here is that Superman is finally meeting the one, true Brainiac, not the myriad clones and impostors that had cropped up before. \u0022Brainiac\u0022 wound up having a significant impact on the Superman franchise, though most of its effects have been rendered moot by the New 52 reboot. More importantly, it\u0027s a very dramatic, well-executed and emotionally charged tale. It also cements Gary Frank as a Superman legend, in part because his Man of Steel is so clearly modeled on the late, great Christopher Reeve.\r\n
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\r\nWhat to read: Action Comics (1939) #866-870″,”height”:720,”width”:1280,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/03-1537540122151.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/03-1537540122151_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:”04″,”albumTotalCount”:14},{“caption”:”

The Dark Knight Returns\r\n
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\r\nThe Dark Knight Returns may be the app\u0027s most obvious must-read comic for anyone not familiar with DC\u0027s publishing lineup. Widely regarded as one of the greatest Batman stories ever told, it\u0027s a book that has a profound influence on 30 years\u0027 worth of Batman comics and various movie spinoffs.\r\n
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\r\nThe Dark Knight returns is also one of the most famous \u0022Elseworlds\u0022 stories, as it takes place in an alternate universe where a middle-aged Bruce Wayne resumes his war on crime in Cold war-era Gotham City. The result is every bit as dark and starkly rendered as you\u0027d expect from writer\/artist Frank Miller.\r\n
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\r\nWhat to read: The Dark Knight Returns #1-4″,”height”:1080,”width”:1920,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/04-1537540122155.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/04-1537540122155_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:”05″,”albumTotalCount”:14},{“caption”:”

Catwoman by Brubaker\r\n
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\r\nEven at this nascent stage, the DCU app features a solid sampling of Catwoman material. For anyone who wants to skip straight to the best stuff, seek out the first 9 issues of the 2001 Catwoman comic. This material covers the early part of writer Ed Brubaker\u0027s run on the series. While Brubaker may be best known these days for Marvel books like Captain America and creator-owned fare like Criminal, his Catwoman run is a reminder that he made quite a mark at DC prior to those books.\r\n
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\r\nAs of right now, the DCU app includes the first nine issues of the series. Obviously, we\u0027d love to see more added, but at least this includes the four-issue story he did with the late, great Darwyn Cooke called \u0022Anodyne.\u0022 Those four issues really set the tone for Catwoman\u0027s solo adventures in the 21st Century, as well as establishing a distinctive look for the character that lasted all the way until her 2018 solo comic.\r\n
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\r\nWhat to read: Catwoman (2001) #1-9″,”height”:562,”width”:999,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/05-1537540122157.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/05-1537540122157_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:”06″,”albumTotalCount”:14},{“caption”:”

Doom Patrol by Morrison & Case\r\n
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\r\nSpend much time digging into DC\u0027s comic book back catalog and you\u0027re sure to hear the name \u0022Grant Morrison\u0022 pop up. Morrison is responsible for some of the most groundbreaking, mind-bending DC stories of the past 30 years, from All-Star Superman to The Invisibles to his lengthy Batman run. Sadly, little of that material is available on the app at the moment, but at least readers can check out one of his earliest DC hits, Doom Patrol.\r\n
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\r\nEssentially, Doom Patrol is DC\u0027s answer to the X-Men, showcasing a team of bizarre misfits too strange to be a part of the Justice League. The team had already existed in one form or another for several decades before Morrison and artist Richard Case took over the book, but their surreal, intelligent approach to the characters truly made the book stand out in way it hadn\u0027t before. With the Doom Patrol about to star in their own streaming series on DC Universe, now would be the perfect time to do some background reading.\r\n
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\r\nWhat to read: Doom Patrol (1987) #19-24″,”height”:1080,”width”:1920,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/06-1537540122161.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/06-1537540122161_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:”07″,”albumTotalCount”:14},{“caption”:”

Checkmate\r\n
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\r\nIf you crave a dose of political intrigue in your superhero comics, Checkmate may just fit the bill. This series from writer Greg Rucka and artists like Jesus Saiz focuses on the complex and sometimes twisted relationships between heroes and the governments who oversee them. The idea being that Checkmate is a UN-backed organization made up of equal parts politicians and metahuman heroes. Every high-ranking members corresponds to a piece on a chess board – Amanda Waller is White Queen, Fire is Black Knight, Mister Terrific is White Bishop, and so forth.\r\n
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\r\nIt\u0027s a premise that plays directly to Rucka and Saiz\u0027s storytelling strengths. The series is also a great showcase for Sasha Bordeaux, an underappreciated character who previously served as Bruce Wayne\u0027s bodyguard before moving up in the DCU.\r\n
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\r\nWhat to read: Checkmate (2006) #1-31″,”height”:1080,”width”:1920,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/07-1537540122163.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/07-1537540122163_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:”08″,”albumTotalCount”:14},{“caption”:”

Starman by Robinson & Harris\r\n
\r\n
\r\nOne of the best things about the DC Universe is the way that heroes establish legacies. When one hero grows old or passes away, the mantle gets passed down to their successor. Few books have explored the generational side of the DCU or the pressures that result as well as James Robinson and Tony Harris\u0027 Starman. This series stars Jack Knight, son of Golden Age Starman Ted Knight and a man who\u0027d rather tinker in his antique shop rather than put on a costume and defend Opal City. The series also hinges heavily on Shade, a former villain who finds a new calling as Jack\u0027s mentor.\r\n
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\r\nThe \u002790s have a reputation for being a pretty lousy time for superhero comics. But while crossovers and chromium covers may have ruled the day, Starman served (and still serves) as a shining example of what\u0027s possible when creators sit down to tell a great story that builds on the history of a shared superhero universe.\r\n
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\r\nWhat to read: Starman (1994) #0-38″,”height”:788,”width”:1399,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/08-1537540122164.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/08-1537540122164_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:”09″,”albumTotalCount”:14},{“caption”:”

Suicide Squad by Ostrander\r\n
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\r\nFrankly, if you\u0027re just judging by the quality of the 2016 movie, you might not understand what all the fuss is about when it comes to the Suicide Squad. To truly get the appeal of this ragtag team of disposable villains, you have to go back to the 1987 series written by John Ostrander. Ostrander\u0027s run really defined this team for the modern DC era, re-imagining the Squad as a group of incarcerated super-criminals given an offer by Amanda Waller – serve on Task Force X and get your sentence reduced, assuming you survive long enough.\r\n
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\r\nMany didn\u0027t. That\u0027s part of the appeal of the series. Not only does it feature an eclectic cast of heroes, villains and morally gray players, you can never be certain that every member will return home alive. So if the idea of a superhero comic that\u0027s equal parts Mission: Impossible and The Dirty Dozen sounds appealing, this one is definitely worth a try.\r\n
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\r\nWhat to read: Suicide Squad (1987) #1-25″,”height”:805,”width”:1431,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/09-1537540122167.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/09-1537540122167_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:10,”albumTotalCount”:14},{“caption”:”

Saga of the Swamp Thing\r\n
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\r\nBack before he was known as the mind behind all-time classics like Watchmen and V for Vendetta, Alan Moore cut his teeth on Saga of the Swamp Thing. His run with artist Stephen Bissette is still regarded as the finest in the history of the franchise, as well as being one of the best comics DC published in the \u002780s.\r\n
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\r\nMoore and Bissette kicked off their run by fundamentally changing the nature of Swamp Thing. He wasn\u0027t a human scientist transformed into a hulking monster after a lab accident. He was a monster who only believed he used to be a man. That one change set the stage for everything to follow, as the creators radically overhauled the character\u0027s mythology and crafted an intelligent and often terrifying horror comic. As with several books on this list, the DCU app doesn\u0027t have the full run available yet, but what\u0027s there is absolutely worth reading.\r\n
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\r\nSwamp Thing is also due for his own DC Universe series in the near future. It\u0027s a safe bet that series will be drawing heavily from this comic.\r\n
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\r\nWhat to read: Saga of the Swamp Thing #21-37″,”height”:899,”width”:1599,”url”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/10-1537540122170.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2018\/09\/21\/10-1537540122170_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:11,”albumTotalCount”:14},{“caption”:”h2>The New 52 Batman\r\n
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\r\nIf you want a good starting point for DC\u0027s modern Batman comics, you won\u0027t find a better book than the New 52 Batman comic, from writer Scott Snyder and artist Greg Capullo. This series aimed to simplify Batman\u0027s world even as it added new villains and ideas, such as the Court of Owls and a revamped origin story called \u0022Zero Year.\u0022 This series is also notable for crafting a dark new take on the Joker thanks to \u0022Death of the Family.\u0022\r\n
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\r\nUnfortunately, DC Universe\u0027s catalog only features a handful of issues after the end of \u0022Zero Year,\u0022 meaning the climax to Snyder and Capullo\u0027s run is currently unavailable. The good news is that the service does feature several other major Batman stories written by Snyder, including \u0022Black Mirror,\u0022 which features Dick Grayson rather than Bruce Wayne as the Dark Knight.\r\n
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\r\nWhat to read: Batman (2011) #1-33\r\n”,”height”:720,”width”:1279,”url”:”https:\/\/assets1.ignimgs.com\/2019\/01\/29\/batman-new-52-1548800151399.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2019\/01\/29\/batman-new-52-1548800151399_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:12,”albumTotalCount”:14},{“caption”:”

The Omega Men\r\n
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\r\nTom King is widely regarded as one of the best writers working at DC right now, if not the industry as a whole. The Omega Men is where King first established himself as a unique voice and a rising star. This updated take on a classic cosmic team is less superhero story than it is grand sci-fi epic. King and artists like Barnaby Bagenda craft a surreal, very somber story about war and the never-ending cycle of violence it perpetuates. And don\u0027t worry if you aren\u0027t familiar with these characters. The book wisely makes White Lantern Kyle Rayner a central character, offering more casual readers a protagonist to latch onto in a story without clear heroes or villains.\r\n
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\r\nWhat to read: The Omega Men (2015) #1-12″,”height”:675,”width”:1200,”url”:”https:\/\/assets1.ignimgs.com\/2019\/01\/29\/omegamen11-1548800151403.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2019\/01\/29\/omegamen11-1548800151403_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:13,”albumTotalCount”:14},{“caption”:”

Injustice: Gods Among Us\r\n
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\r\nAs much as we\u0027ve enjoyed the Injustice series of video games, the comic book tie-ins are where this alternate universe truly comes alive. Injustice: Gods Among Us is a prequel series that fleshes out the five years leading up to the events of the first game. Writer Tom Taylor builds from an admittedly questionable starting point – with Superman murdering Joker – and proceeds to explore the Man of Steel\u0027s downfall in thrilling and exhausting detail. The series features terrific characterization, and it also manages to be surprisingly funny and poignant along the way.\r\n
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\r\nDC Universe currently only features the first of five volumes of Injustice (along with a handful of other issues), but that alone makes for a great starting point for anyone interested in what could drive a hero like Superman over the edge.\r\n
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\r\nWhat to read: Injustice – Gods Among Us #1-36″,”height”:899,”width”:1599,”url”:”https:\/\/assets1.ignimgs.com\/2019\/01\/29\/injustice-gods-among-us-1548800151401.jpg”,”styleUrl”:”https:\/\/assets1.ignimgs.com\/2019\/01\/29\/injustice-gods-among-us-1548800151401_{size}.jpg”,”credit”:””,”objectRelationName”:””,”objectRelationUrl”:””,”albumName”:”The Best Comics to Read on the DC Universe App”,”relativePosition”:14,”albumTotalCount”:14}]’
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